Handwriting is the writer's craft, and I like using it much more than digital fonts that mimic script.

 

Good reasons exist for writers to make loops and lines and dots and dashes by hand rather than always tapping keys on a keyboard, to use cursive instead of the cursor more of the time.

 

I write in longhand in my journal, in penned notes, and even on manuscripts. It's like a private language in my journal that's not easily deciphered. Writing words of thanks or sympathy on monogrammed stationery or personalized note paper feels more intimate to me than sending an email through cyperspace.

 

There are advantages to editing a manuscript on paper rather than on a computer screen. Digital pages make a work in progress appear deceptively done, whereas messy hand-edited pages look like the rough drafts they are. The slower process of handwriting can generate more insights than faster online speed, too.

 

Letters written in ink on paper are important to biographers because smudges (tears?), crossed-out words (changes of heart?), and misspellings (indifference?) are clues. Georgia O'Keeffe penned the word "I" curled in on itself in a large, upright, calligraphic letter revealing her strong sense of self.

 

Now that schoolchildren use laptops, many are no longer able to write in longhand or even read it. Yet I may be too worried because when I saw an exhibit of Jane Austen's precise penned curlicues written with a quill pen, I struggled to decipher her words Even so, since I enjoy the tactile pleasure of using my hand to create continuous and broken lines that curl and straighten or slash, I'm going to continue writing by hand, even if my scrawled words are lost to posterity, too.

 

 

With Warm Regards, 

Laurie

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News

 

Monday, March 6, 2023, 3:30 pm
A presentation about family memoir by Laurie Lisle, Marnie Mueller, and Victoria Olsen
Women Writing Women's Lives Seminar
CUNY Graduate Center
365 Fifth Ave.
New York, NY

 

Westover: Giving Girls a Place of Their Own
An audio edition of the book is in the works! Alumna Laura English '83, a professional reader, will have it ready by Alumnae Weekend this spring. I've recorded the Preface, an essay titled "My Westover," for it.

For more information about handwriting, see The History and Uncertain Future of Handwriting by Anne Trubeck

After viewing Joan Didion's desk items to be auctioned soon at Stair & Co. in Hudson, New York, I began thinking about writers and their talismans, tokens, and the other things we need nearby as we sit at our computers arranging and re-arranging words.

 

It was interesting but not surprising to see pens, paperweights, boxes for paperclips, magnifying glasses, an antique inkstand with a blotter, and a music box in the shape of a typewriter that once played "I'm Going to Sit Right Down and Write Myself a Letter."

 

It made me take another look at what I have around me when I work. There is the wooden African female figure with an overly enlarged head--exactly the way I feel when I write. Then there are gifts from my husband Robert--a heartwarming red glass heart and an encouraging little jar that says "write." And there's the silver paperclip box engraved with angels and the carved black stones I use as paperweights. And the white orchid.

We writers need all the comfort and inspiration we can get during the long hours spent working away by ourselves. Looking up from a keyboard to glimpse an item of beauty, nostalgia, or amusement is a way to keep going. And to easily reach an object to fasten or hold down a piece of paper is a way to keep us in our desk chairs. Unlike the ephemeral words moving around in our heads, these tangible objects with physical presences and practical purposes are oddly important to us.

 

Talismans On and Around Joan Didion's Desk

 

Her metal music box in the shape of an old typewriter is pictured here along with framed photographs of the writer.

 

Among other items in the auction are blank notebooks, a leather-bound journal, a clipboard, a large unabridged Random House dictionary on a stand, artwork, and books by Didion and her favorite authors. The auction date is November 16th, 2022.

September is my birth month, and this year I had a big birthday. It was sobering but, happily, I was blessed with three birthday cakes. I'm well into what Francine du Plessix Gray called a woman's Third Age, a time for outspokenness and self-possession.

 

Writing a memoir was an act of enormous outspokenness. It also demanded deciding who I once was and who I am now.

 

What now?

 

At the moment reading other writers' words is more compelling than composing my own. My neglected reading list is very long and very intriguing.

A LitHub survey of the professional lives of eighty authors found that on average they published books for about three-and-a-half decades, a shorter working life than, say, many visual artists. Women writers usually started publishing in their thirties and stopped in their sixties, the survey found.

My first book was published at age 37 and my last at age 78, so I've worked a little longer than most other authors, but I have written fewer books than many because of the time it took to research my biographies and other nonfiction books. And the time it took to tend my garden and the rest of my life.

 

When Philip Roth was in his late seventies, I had a chance to ask him why he had stopped writing novels. "I wasn't going to get any better," he said, a reply I liked for its honesty. Most older writers rarely stop writing entirely, however. If their words do not appear in new books, words find their way into journals and letters, blogs and newsletters, articles and essays, as mine will, too.

 

With Warm Regards, Laurie

 

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News

 

It's now time for me to edit all the boxes of papers I've gathered and generated when researching my books, now stacked in an upstairs hallway and waiting to be opened.

 

There are also many papers in file cabinets awaiting sorting, saving, or discarding because I began writing before the beginning of the digital age.

 

I've already given a great deal of material about Georgia O'Keeffe and Louise Nevelson to the Archives of American Art, part of the Smithsonian Institution.

 

Hopefully, the research materials, which I used when writing my more personal books, will find a place in another archive.

 

It's been a surprise to realize that I've been writing blogs and newsletters for almost seven years. Now they will become more sporadic as I turn my attention to other matters.

 

 

This month the Sharon Summer Book Signing, a fundraiser for the Hotchkiss Library of Sharon, was back after a two-year hiatus. When I was signing and selling copies of Word for Word: A Writer's Life among the crowd of readers and other authors under a big white tent, the event reminded me of my love of libraries.

It began early when the libraries I went to in elementary and high school were both former churches with lofty hushed spaces, making me believe there was something reverent about reading.

Once when I was wondering how to support my increasingly serious writing habit, I thought about becoming a librarian in order to spend my time in a quiet place among thousands of titles. I imagined that it would leave me at the end of a work day relishing books and desiring to write them.

 

Although I never mailed my application to librarian school, I continued to gravitate to libraries wherever I lived, borrowing books to read and for researching my own books. In Manhattan, they include large and small libraries, from the marble temple of the New York Public Library on Fifth Avenue to the New York Society Library, a subscription library in a brownstone with open stacks to explore and rooms to write in. 

 

In Connecticut, the little town libraries are now cultural centers offering books in all formats, talks about books, and much more. Happily, the historic Sharon library, which I can walk to from my house, is undergoing a transformation. By this time next year--and the 25th anniversary of the book signing--it will be better and more beautiful than ever.

 

With warm wishes,
Laurie 
 
News About Word for Word: A Writer's Life

 

A new review of Word for Word has come to my attention: "I so enjoyed Word for Word...I highlighted, wrote in the margins, and tabbed pages," wrote reviewer Regina Allen for the Story Circle Network. "Word for Word is a lovely book. Lisle writes as though she is a personal friend to the reader, sharing her deepest thoughts and secrets. Whether you are a writer or a woman who seeks a creative life in some other realm, or even a woman in search of her own true self, this book will be a comfort to you."

Click here to read the entire review.

 

This month, on Thursday, July 21st, I'll be talking about Portrait of an Artist: A Biography of Georgia O'Keeffe to a book group at the Newport (RI) Art Museum, which has an O'Keeffe exhibition. It makes me reflect on changes in the book business since 1980, when the biography was published.

 

First published as a handsome hardback forty-two years ago, it is still in print and selling well. It has been translated into five languages, produced as a mass market paperback, and published as another hardback for the University of New Mexico Press. It is now a trade paperback, an e-book, and an audiobook.

 

Like other authors my age, I'm grateful I began writing and publishing before the digital age transformed the book business, a change as drastic as the invention of moveable type. Far fewer books were published in 1980 than today, but they got more attention from publishers and readers.

 

What happened then, rarely happens now. Then, a junior woman editor at a New York publishing house, who was as influential as the marketing manager, gave me, an unknown young journalist, the go-ahead and a small advance against royalties to write the first biography of an art world icon.

 

Today writers are expected to bring readers (i.e. social media followers) to publishers, instead of the other way around. It makes me wonder about all the wonderful books that are either not written, or well published, or discovered and bought today because of the increasing selectivity of traditional publishers and the exploding numbers of self-publishers.

 

With warm wishes,
Laurie 

 

Publishing guru Mike Shatzkin writes an insightful blog about the book business, The Shatzkin Files. In his most recent blog, he concludes: "The old procedure of 'get an agent, get an advance, let the publisher do the work' is...becoming the exception, rather than the rule..." More books are published, he writes,"but achieving sales success just keeps getting harder and harder."